Imagery and Symbolism in David Guterson’s The Country Ahead of Us, The Country Behind :: Guterson Country Ahead of Us Country Behind

Imagery and symbolism in David Gutersons The Country Ahead of Us, The Country Behind In David Gutersons anthology, The Country Ahead of Us, The Country Behind, characters are portrayed in effect and succinctly finished the imagery of their surroundings. Many of his stories are symbolic in that they reflect relationships and feelings of characters. Gutersons titles charter a more complex and deeper corporation to the story than is first apparent. They too are often symbolic of a main character, or of relationships. In Angels in the Snow, Guterson describes the world as sparse because of the snow that has fallen. This fragility of the world, at that particular time, is representative of the relationship betwixt magic and Cora. The next morning the world is described as a fragile, white place and this symbolises their relationship which has also become very fragile because of what John has revealed. The whiteness of the snow symbolises innocence and purity, but at this moment, through Coras eyes, John has lost the expire of his innocence. Guterson also uses the act of do angels in the snow to portray innocence that is rapidly fading. We made angels in the snow, Cora and myself, swept our arms through the powder, left an impression of wings that would guide before the new year. It is as if John already knows what is to come, and is aware of how in brief it will be. He is aware that his relationship with Cora has changed. She now has confirmation that John is not as innocent as he might score liked her to calculate. Through making the angels he is making one last attempt to seem innocent, for this is a very innocent act. John appears to think that if he can some how act innocently, he can influence Cora that he really is so. In The Flower Garden, Guterson continues his exploration of the fragility of a relationship between a man and a woman and over again portrays this by drawing parallels with what is happening in nature. The relationship betwee n Anna and the teller is a very fragile one like the garden they set with nursery sets and fragile garden cuttings. The relationship and the garden are at the beginning of their being, and both are very fragile. Both have to be thought out, then nurtured carefully. Any mistake or misjudgment can have long and lasting consequences.